An ongoing personal research project exploring warfare, weaponry, and military aesthetics as visual and cultural subject matter. Spanning CGI asset renders, macro product studies, and atmospheric portraiture, the series examines the formal language of arms and conflict, the worn bluing of Soviet-era steel, the engineered geometry of modern polymer, the uncanny stillness of camouflage, treating each object and figure as a document as much as an image. The work draws on art direction research across periods and arsenals, using controlled studio conditions and night-vision simulation to strip military hardware and field craft down to their most visually essential qualities.

Role
Creative Direction, CGI, AI